Daphne Odjig
Odjig was born in 1919 on the Wikwemikong Reserve on Ontario’s
Manitoulin Island to an Odawa father and English mother. Her artistic training
began when rheumatic fever forced her to leave school at age 13. At home, her
grandfather Jonas, a stone carver, and father Dominic nurtured her talent for
drawing. Sometimes Jonas told traditional Potawatomi stories while they
sketched and painted. The work that opened the door for her, the 1962 oil
painting Theatre Queue, is telling: it has been described as an expressionist
urban landscape depicting Odjig’s cultural isolation. By the mid-1960s she and
her husband Chester Beavon had moved to northern Manitoba where he worked as
development officer in the community of Easterville. There she created a series of highly
detailed, pen-and-ink drawings depicting community life, dog teams, cabins,
fishing yawls, and such locals as Verna George and Patsy Wood. She then began
depicting allegories and legends and illustrated a collection of school readers
called Nanabush Tales, published in 1971. During this period Odjig’s style was
most closely associated with Norval Morrisseau’s; the two, apparently working
at first unbeknownst to one another, were seen as evidence of an “emergence” –
a cultural shift, a new consciousness. But Odjig soon turned to history,
becoming one of the first Aboriginal artists to address the colonial and
post-colonial horrors visited upon her people. Odjig would come to create
legend paintings, history murals, erotica, abstractions, and landscapes using a
range of techniques and materials but settling on acrylic as her medium, the one
she would push hardest and furthest. The result: an oeuvre and a voice that
cannot be characterized as purely Aboriginal, Canadian, or European in
influence. Her work is now in private and public collections across Canada.
Odjig is a member of the Order of Canada and widely considered the “grandmother
of Aboriginal art” in this country. She ran an Aboriginal art gallery in Winnipeg
for many years, and founded the short-lived but influential group known as the
“Indian Group of Seven”. Odjig died in
2016. |
$3,850
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